A team of Fabrica volunteers are working together to research, record and illuminate the many stories from our building’s history. From understanding the structure of the church through it’s many physical adaptations, to how individuals connected with the building have impacted our story both as a place for connection and contemplation, and our position in our wider community.
We are collating our findings into a book, which will launch in 2021, also Fabrica’s 25th Birthday.
Below you will find some highlights from the project as we go along, written by our volunteers and research coordinator.
Training with the Jubilee Library: Part One
We recently had some fantastic training with the Library as part of the research project – If These Walls Could Talk.
We had a tour of the Jubilee Library. Built in 2005, it won awards for the use of materials and sustainability, known as one of the most sustainable buildings in the UK. Using the natural elements to heat and cool the building, and water for the building amenities. The building has around a million visitors each year.
We walked through the non-fiction, reception area, shop and children’s area on the ground floor, and then were lead to the second floor where all the fiction books are kept. We looked through the Local History section and had explained to us the use of the Dewey decimal system and how we might use it for our research.
The next part of the training was the Rare Books collection, an incredibly special part of the Jubilee Library and we were very fortunate to have a full introduction to the collection and some selected pieces which were of relevance to the project.
The Jubilee Library states “Our substantial rare book and special collections in Jubilee and Hove Library extend to over 50,000 volumes. We have items from the 13th Century through to the 20th Century. Many of these rare books and manuscripts have been donated to our libraries over time. Brighton library first opened to the public in 1873 and Hove in 1908.
Our special collections span more than seven centuries and include:
- early printed books
- illuminated manuscripts
- splendid examples of fine bindings
- private press publications
- first and limited editions
- early children’s books
- works with beautiful coloured illustrations, woodcuts, and engravings covering subjects from history, literature, and the arts to philosophy, natural history, and theology”
We had a brilliant and thoughtful presentation from the library staff and collection which displayed some areas of interest:
Church architecture & Interiors decorative features /furniture/ stained glass etc. John Ruskin’s The Stones of Venice and The Seven Lamps of Architecture.
Non-ecclesiastical local architecture John Nash’s original designs for the Royal Pavilion
Local History books/ ephemera, including social history
General local history: The Erredge Collection, which consists of boxes of paper ephemera including maps and illustrations. Kelly’s Directory: to track the usage of local buildings & local businesses. Illustrated version of History of Sussex 1906. Short History of Brighthelmstone
Wider social history/ British history: illustrated London News, Punch, Ackermann’s Repository of Arts and Architecture, or The Looking Glass Ackermann’s
Church texts: manuscripts or early printed missals, psalters
Other religious texts: Books of Hours /Offices/ prayer books used in the home- Again
Local Geography: Topographical engravings and maps. Detailed maps from 1808 & large scale of Brighton.
Local small press items: Looking at some local small press items from the early 20th century illustrating the period. Saints in Sussex
Production of a Resource for the Gallery
Our first task as a group was to produce a laminated resource for visitors to the gallery. When Fabrica is open to the public people are curious about the building and wish to know more. The resource will be colourfully produced with images.
After discussion of the key elements around the building, we resided on researching the why, how and who of a certain few points: the beginning (its creation) the stained glass windows, the font, the Gothic facade & tower, the chancel and pulpit and the present (Fabrica).
As a first foray into the research project, we thoroughly enjoyed finding out about the elements of the HTC and it certainly cast ideas of where the publication research might take us……
Training with Jubilee Library: Part Two
Written by John
Part two of our ongoing training at Jubilee Library took place on Monday 10th June.
We gathered at the library in the Community Centre and were surrounded by Students of various ages who were working on Exam revision and Dissertations with papers strewn over every flat space that was available to work on, already creating a positive learning environment.
We made our way up to the top floor of the library where a room had been set aside for us, and after applying name badges we looked through the folders that had been prepared for us, and were introduced to the two Library Services Managers, Jo Simmons, and Sally Pope, who were going to be our guides for the session.
Advertisement in an old Trade Directory for 38 Duke Street (next to HTC)
The Training Sessions were informative and included;
Types of Historic Material;
Lending Libraries and their available resources;
Local History Websites, including Maps and Census Returns;
Trade Directories, ( a forerunner of the Yellow Pages)
Electoral Rolls and Newspaper Archives.
We were encouraged to ask questions and were then shown how to access the Library Resources on the computers which were available in the room, and having logged on we were encouraged to surf some of the sites we had access to, and were amazed at the amount and extent of the resources.
Trinity Chapel description from an old Trade Directory
We had a brief break for coffee or tea and were given information on how to check Family Histories online and how to put together a Family Tree, by accessing Records of Birth Certificates Death Certificates and Marriage Certificates.
The Staff had provided an impressive book list based on our Holy Trinity Research Project, and details summarising the available websites that the library provided.
We finished the session around 4.30 and personally, my head was spinning with the amount and quality of the information we had covered in the session and came away with a very positive opinion of the Library and it’s enthusiastic and knowledgeable Staff.
Overall a very worthwhile visit.
Training with The Keep
Introduction, information and tour
The Keep is a centre for archives that opens up access to all the collections of the East Sussex Record Office (ESRO), the Royal Pavilion & Museums Local History Collections and the internationally significant University of Sussex Special Collections. It also works to conserve and preserve archives in the UK. The Keep is in Falmer, Brighton. Our training day delivered by Andrew Bennett by an introduction to The Keep, a tour of the building and he displayed to us how to use the catalouge for ourselves.
The tour consisted of looking at the two rooms available to visitors, the first room holds published materials including a Microfishe for viewing newspaper archives, the second which contains original materials which are brought out for viewing by staff members from the hold room. We were lucky enough to view the cool-temperatured hold room. We saw the conservatist room, where a staff member works to restore and prepare materials for conservation at The Keep. We spoke to someone who is running a sound heritage project: Unlocking Our Sound Hertiage which is archiving sound recordings from the British Library which is a collection of over 6.5 million recordings of speech, music, wildlife and the environment, from the 1880s to the present day. The Keep is also home to the film director Richard Attenborough Archive and we saw one of his old cameras.
Visit to The Keep
Written by Angi
The Keep is open from Tuesday to Saturday, 09.30 – 17.00 and access is free to all, although there is a 2.50 charge for the car park. We travelled by 25 bus, which stops conveniently nearby.
We started with an excellent and very informative session with a member of the staff, who gave us lots of information about the materials available at the Keep, and most importantly, how to access them. We were all amazed at the vast quantity and wide range of documentation which is stored at the Keep! We found out how to use the catalogue to identify items we might find useful, and also how to order three items at a time in advance if required. We had a fascinating tour of this very hi-tec building, looking at the way in which all these valuable documents are so carefully stored in the correct way.
After a short lunch break we were able to access Room 1, the walk-in reference library which is freely open to all visitors, and Room 2, which contains original materials, and which requires a (free) Keep membership card. There we tried out our new skills to research a few specific items. We all found it hard to drag ourselves away at closing time – we were all well and truly hooked on this terrific local resource centre! We will be back again very soon!
Meeting Poet Richard Realf’s 3x Great-Niece
Today I met the 3x great-niece of Richard Realf who is writing a book on his life and work, Realf was a poet born in East Sussex (14 June 1832 – 28 October 1878). Richard Realf emigrated to United States in 1854 and traveled all over the US (New York, Kansas, Texas, Washington, South Carolina and more), he also served in the American Civil War. “My Slain”, “An Old Man’s Idyll”, “Indirection”, are some of Realf’s most famous poetry titles.
Richard Realf has a connection with the Holy Trinity and specifically the famous and influential Rev Fredrick Robertson “Robertson of Brighton”, whose life our group will be exploring as part of our research. Richard Realf lived in Brighton between 1850-1853 and whilst residing, he worshiped at Holy Trinity Church. Realf references Robertson in many of his personal letters. In Brighton he became an amanuensis to a lady in Brighton at 63 Montpelier Road when Roberson was at number 60 (confirmed in a 1851 Cencus), perhaps their being neighbors started their relationship. As a young and growing poet Realf was encouraged by influential figures such as Lady Noel Bryon, who we know has links with Robertson as she attended his sermons and his funeral when he died.
There is certainly a history of creative figures within community linked to the HTC. It was great to learn about some of the interesting lives of the people who entered the Holy Trinity and those who knew the famous preacher Robertson of Brighton!
When researching through the Holy Trinity parish records which are kept at The Keep, we came across some beautifully hand written church meeting minutes. These meeting minutes are a great insight into the church, the decisions they made about it, and the world at that time too.
We noticed an organ being mentioned in 1906 minutes, with talk of raising funds for its repair, then in subsequent meetings that an organ subcommittee was successful in completing its fundraising and repair. We still have funding statements regarding the organ that go into the 1960’s. This was the first time that we had heard of an organ, certainly Fabrica’s documents never mentioned one, concluding that it had long been removed since Fabrica’s arrival.
When looking through some of the wonderful images on the Brighton Museum Collection on their website: https://brightonmuseums.org.uk/discover/collections/search-our-collections/ we noticed an old photographic print of the chancel in its earlier iteration (no wooden altar rails and its adorned with the red and white patterned tiles). The particularly interesting point of this photograph is that on the left wall there seems to be organ pipes, alongside where the pews for the choir would be!
This certainly needs more investigating, but we are learning as we go.
Brighton Cemetery Research Trip
By John, 17th September 2019
Sally, Tom, Angi, Sandrine and myself , John, met up at the entrance to the Extra Mural Cemetery , on the Lewes Road in Brighton . We had decided that a visit to the burial place of Holy Trinity Church’s most famous Preacher , The Rev. FW Robertson , was due.
It was a beautiful late Summer morning and we left the urban traffic noise behind and made our way up along the narrow road which had late blooming flowers flanking our left hand side.
Sally had a map of the location of Robertson’s tomb ,which was up on a rise on the left of the path.
It is quite impressive and shows the esteem he must have been held in by the church attenders of Holy Trinity .
We had hoped to gain access to one of the small chapels that were nearby but these were locked.
We made our way round and decided to use the opportunity , as we were together, to visit the cemetery of St Nicholas where the family tomb of Amon Wilds , who was the builder of Holy Trinity, was situated.
St Nicholas of Myra Church is recognised as the oldest surviving building in Brighton , and its present structure dates from the 14 th. Century.
The Wilds family tomb is here in the Churchyard .
Again there was an air of peacefulness , and it was easy to imagine people standing in this spot looking out to sea away down the Church Hill, a view which would not have been hindered by the present day buildings of the shopping centre.
We made our way across the road to the Rest Garden which contained more gravestones and what appeared to be catacombs.
William Smith of West Brighton – The Font
Angi Lowrie – Research Volunteer
The font is situated in a niche in the narthex or porch area of the building, to the right as one enters from the main entrance from Ship Street. The floor beneath it is tiled in a geometric pattern in shades of gold and brown. These tiles resemble those originally installed on the rererdos behind the altar, now replaced by oak panelling. The reredos tiles were attributed to the company of Maws of London, and these in the niche may also be by this manufacturer. The font is unusual in that the bowl is circular in shape, rather than the more traditional octagonal. It is carved from fine pure white marble. Marble of this quality was often imported from Carrera in Italy.
Sadly it bears no visible makers mark, and so far its provenance is uncertain. However, it is a piece of very fine workmanship. The circular bowl has a very smooth flat surround, and beneath the bowl there is beautifully carved decoration in the form of vine leaves and bunches of grapes.
The bowl is supported by a carved column again decorated with leaves, which stands upon a plain white, rectangular marble plinth. Around three sides of the plinth we find the memorial to William Smith. The inscription reads as follows:-
‘To the Glory of God and in Loving Memory of William Smith of West Brighton who entered into rest on February 4 1887.’
It seems that William Smith must have been quite an important and wealthy resident of Brighton to have such an impressive memorial.
He was born in Kingston, Jamaica, on 19 May 1801. His father was Robert Smith (1771 – 1851) who was a coffee planter. Robert would have worked on a coffee plantation in Jamaica. At the time the whole of the island was taken over by coffee plantations. The owners were mainly absentee British landlords. Until slavery was officially abolished in 1833, these plantations would have been dependent upon slave labour to produce their goods.
By 1833 William has moved to Liverpool. He has met a Yorkshire woman named Anne Frances Haigh and fallen in love, and they married in the Parish of Huddersfield on 24 July 1833.
William was aged 32 and Anne was 22. Anne was born 14 August 1811 in Halifax to Hannah Haigh (1780 – 1846) and John Haigh (1779 – 21 April 1826) of Edgerton Hill, Huddersfield. Anne was baptised at St John the Baptist Church in Halifax on 20 April 1812. William and Anne’s first son was born in 1834 and named Haigh Smith, but he died in 1836.
The following year on 27 October 1837 Anne gave birth to another son named Francis William(s), but he lived for only two weeks, dying on 9 November 1837. Saddest of all, Anne herself survived for only two days after giving birth, dying on 29 October in Everton, Liverpool. Presumably there were complications related to childbirth. She was just 26 years old.
This must have been a very difficult time for William, losing both of his sons and his wife in the space of less than two years.
William does not seem to appear in the UK censuses of 1841, 1851, or 1861.He may have decided to return to his family in Jamaica after the trauma of losing his family, or he may have moved elsewhere to concentrate on his work as a merchant.
In the UK Census of 1871 William is living in London at 17 Victoria Street, Grosvenor Mansions, St Margaret’s, Westminster. He lives at this address with a lodger, William D Gardiner, also a widower, aged 40, who is described as a ‘Barrister-in-Practice’ from London. There are also two servants – Rachel Mary Allum, who is aged 39 and described as ‘Housekeeper Domestic’ who hails from Stradbroke in Suffolk, and Caroline Flude, aged 19, from Camberwell, Surrey who is a ‘Servant Domestic’. ‘Domestic’ refers to the fact that they both live-in at the property.
On 27th September of that same year, 1871, William Smith, Esquire, of the Parish of Saint Margaret Westminster, appeared personally to pray for a licence for the solemnisation of marriage in the new Parish Church of St Mary, Paddington, in the County of Middlesex, between himself and a spinster of the age of twenty one or above called – Rachel Mary Allum. Her residence is given as within the Parish of St Mary’s Paddington.
The wedding of William and his former housekeeper Rachel took place at St Mary’s Church, Paddington, the following month, on 4th October 1871. William was aged 69, described as a widowed merchant, and Rachel was aged 39. Her father was Francis Allum, described as a farmer.
In the UK Census of 1881, William and Rachel are living together in Hove in some considerable style. His occupation is given as ‘Retired Merchant’. Their address is 5 Fourth Avenue. This is the reason that his memorial places him in ‘West Brighton’. This was not simply another way to say ‘Hove, Actually’ – it was the name of a newly developed area of housing for the well-to-do called The West Brighton Estate. This was built on land purchased from one of the principle land owners in Brighton, the Stanford family. Despite the name, it was definitely within the boundary of Hove.
William died on 4 February 1887 at 29 The Drive, West Brighton (Hove) in a house called ‘Sans Souci’ (meaning ‘carefree; or ‘without worry’). He was 85 years old. He left personal estate (resworn September 1887) of £44,086,15s.10d.(This translates to over £4 million today)
His widow Rachel Mary continued to live at Sans Souci until her death there on 8 October 1900, when she would have been aged about 70. It is not clear when or why the Smiths chose to move from their new home in Fourth Avenue to Sans Souci. It is possible that rather than a family home it was some sort of residential care home for the elderly, as William would have been over 80 years old at the time.
It would seem that Rachel commissioned the beautiful memorial font for Holy Trinity Church. There were no children to remember them. It is not clear yet what connection the couple had with the church.
William and Rachel were both buried in Hove Cemetery. They are commemorated there with an impressive tomb in the form of a white marble altar supported by red marble columns topped with a recumbent figure. Judy Middleton in her book ‘Hove Cemetery 2002 (Revised 2018)’ describes it thus:-
‘’This must be the most comfortable – looking monument in Hove Cemetery. William Smith strikes a patrician pose as he enjoys a long sleep’’
The inscriptions are as follows:-
In Memoriam William Smith who fell asleep on the 4th February 1887 in his 86th year
Also Rachel Mary widow of William Smith who fell asleep on 4th October 1900 in her 71st year.
Exploring Holy Trinity’s Architects
My research on Wilds and Wilds and G.S Clarke Junior by Sandrine
The research group gathered one afternoon to decide on what the next steps were going to be, and who was going to research what.
Phyllida suggested various topics and because I was interested in learning more about the architecture in Brighton (having moved here recently and finding the buildings amazing), I volunteered to start researching on Amon Wilds (1762-1833) and Amon Henry Wilds (1784-1857), builders and designers of the Holy Trinity Church (1817); and on George Somers Clarke Junior (1841-1926), who carried out the interior and south-front alterations of the Holy Trinity chapel between 1885 and 1887.
My research started on Wilds and Wilds. I went online and started gathering a series of articles from google, notably from Wikipedia and Google Scholar. I also browsed and researched the Keep’s website and whilst most items seemed to be mainly architectural maps, I did find that on 18 March 2015, Dr Sue Berry, a historian, had given a presentation at the Keep entitled ‘Amon and Amon Henry Wilds of Lewes and Brighton, local architects and builders’. The website then provided the link to another website where the article could be found and read. Whilst I was very happy with my finding, I did not know at the time that this article would also save me from making and reporting a considerable amount of incorrect information.
Pursuing my quest for information, I met with Sally at the Jubilee library on 12 September 2019. There, we spend a couple of hours researching books and articles. I went home that day with 3 books; notably one entitled ‘The history and architecture of Brighton’ by Anthony Dale dated 1912 which the librarian took some time to find (the book was not on the shelves) and which I therefore assumed to be a gold mine of information. It was now time to review all this and get writing!
About a week later, I met with everyone at the Extra-Mural Cemetery. It was a beautiful morning and the cemetery was very lush and green. Birds were singing and flowers were in bloom. There, we had the opportunity to see the burial place of Rev. FW Robertson. We also saw the Georgian Gothic
Anglican chapel which Amon Henry Wilds designed. Unfortunately, the chapel was closed and due to lack of staff, we could not visit it.
We then decided to go to St Nicholas churchyard, off Dyke road in Brighton where Amon Wilds is buried. Having seen a picture of his memorial prior to our visit, I knew what to expect and it is the first thing I noticed as we entered the churchyard; not so surprisingly since the memorial is very centrally located; and showing the famous ammonite associated to both architects (as a pun to their names). Whilst I did not know this at the time of our visit, I later discovered that both his first and second wife are buried with him in the churchyard.
We carried on with our visit and went across the road to the Rest Garden; which gave me the opportunity to see another of the Wilds’ creations. The Western Cemetery was built as an extension to the churchyard of St Nicholas and landscaped by A.H Wilds (son) in 1841. Unsurprisingly, the
gigantic pyramid drawn in his original design was not to be found; the project having never taken shape. However, the thirteen imitation stone relief doorways and the gate as included in his original design could still be found.
As I read books and articles on A. and A.H Wilds, I became confused. The dates and projects did not always seem to match. For example, Wikipedia’s pages citing the life of Amon Wilds or Amon Henry Wilds ‘projects did not
seem to fit other more recent accounts in other books. This until I read the article of Sue Berry; clearly pointing the discrepancies; notably mentioning that Dale wrongly believed the Busby and Wilds partnership to be with Wilds father (instead, it is Wilds son). It then made sense to me and I
realised that I had to carefully review some of the information and double check its accuracy.
Sue Berry inserted a table in her article with all the projects she believed had or had not been the product of either father or son. This was very helpful and I based my review on this. Looking at the list of buildings and projects both architects worked on, it became clear to me that
father and son had been instrumental in the design and construction of some of Brighton’s finest buildings. I learned some stories which one would say could only be found in movies!
Such as for example, the story of the massive glass Dome which collapsed a day before its opening (a project that A.H Wilds had pulled out from due to the architectural faults and lack of safety that he had been noting and telling to the project manager in vain). Or the very tumultuous and short lasting partnership between A.H Wilds and Busby which ended up in petty court for assault by Wilds to Busby! A document which I found in the Keep.
More than all, this research taught me that probably a third of Brighton’s fantastic buildings were built or designed by just two men! Two fantastic architects whose genius and fine taste still transpire and can still be admire through looking at Brighton’s buildings.
The second part of my research was on George Somers Clarke Junior. However, this research was much shorter: I did not manage to find the information I was looking for. At the Keep, his (whole) file is classified and cannot currently be consulted. When I asked a member of staff, he said the reason for this could not be disclosed. A pity as G.S Clarke Junior was an Egyptologist and I was really excited by the prospect of learning from Egyptian discoveries or who knows what! There was nothing in the Jubilee library either. It seems that the only place where his work can be found and researched is the RIBA (Royal Institute of British Architects) in London. The research is on pause for now.
And as it turned out, he too had an father named like him (or the over way around really!). And whilst this seemed common in that century – it obviously added more confusion as I was unclear at first about why he died in Egypt but was reported by Wikipedia as dying at home in
Walpole, Manor Park, Chislehurst, Kent. For a moment, I thought that they might have it wrong again… I thought this was another error from Wikipedia… until I noticed the very important dates of
One thing (among others) that this research has taught me… double check the names, double check the facts, and never assume that what you read is right!
Unknown Vicar: Identity Found!
For years, Brighton and Hove museum has housed a postcard of a vicar who preached at The Holy Trinity Church from 1917-1924. Despite the museum showcasing this image (pictured in the monochrome portrait below), he has not been able to be identified up until recently…
Researchers from the Past, Present Future team, went to The Keep with the aim to find out more about Holy Trinity’s history when they came across ‘The Parochial Gazetteer’, a publication which collates information about numerous parishes and their histories. Within the publication you can see an image of a man who looks just like that of the one in the postcard and Brighton and Hove Museum (see below). The research team contacted the museum regarding their findings and they have since updated their records, confirming that the man in the postcard, is the same man as in the Parochial Gazetteer! Indeed, thanks to the Past Present Future team, we can confirm he is Reverend Alan H Watts!
We are currently researching Rev Watts, and hope to fill in more gaps about our story!
We also welcome more information from our community. If you know something about Watts or, indeed, about anything related to the building’s history, do get in touch with email@example.com
Musical Chapel Royal Visit!
Just before the Christmas break, we took the chance to visit the Chapel Royal Church (on North Street). The Chapel Royal was built in 1795 as a chapel of ease. It has gained its own parish and is associated with the Prince Regent and fashionable regency-era society. It is still an active church today.
The Chapel Royal has a relationship with the Holy Trinity. Both were built as Chapels of Ease and plans to merge the parishes had been proposed. We wanted to go and visit and find out more.
The Chapel Royal holds lunchtime concerts on Tuesdays, we took the opportunity to see “7 Basak Zengin Kayabinar (sop) Howard Beach (pno) Dowland Bridge Quilter Ada” on the 17th of December. The Chapel Royal was a great space, bright and tall. The performance and the atmosphere were wonderful. Dramatic Soprano Basak Zengin KAYABINAR, is an experienced recitalist and performer, singing with operatic and chamber ensembles around the world.
We spent some time taking in the space after the performance and purchased a booklet created by the Chapel Royal about their history. The booklet details the conception and building of the church, changes to the building throughout the eras, some of the people who attended and pictures. Between the period of 1883-5 Winston Churchill attended the Chapel Royal!
Our Holy Trinity features quite a bit in the book and obviously has a somewhat similar history. Both churches faced troubles from the late 1800’s onwards as more people moved to live outside the city centre, particularly in the beginning of the 1900’s socially people moved away from the church . The booklet states that in 1921 a Church Commision sat to discuss the future of the Chapel Royal and the Holy Trinity. Both were eventually saved. Again by 1928 the issue of viability of The Chapel Royal and HTC has again come to the fore. This time the commision decided to merge the two churches. Holy Trinityhas been going from strength and its members had raised the money for Roberton Hall. The Chapel Royal will close and merge with Holy Trinity.
In 1929 the matter was still to be resolved. The way forward was a magnanimous gesture by Dr Cambel who offered to resign from Holy Trinity to ensure the smooth passage of the scheme. The vicar of The Chapel Royal could then be appointed vicar with a curate and for Cambell to remain as a preacher, but with the Holy Trinity to be the parish church.The chapel Royal could then be adapted as The Robertson Memorial Hall, whilst the £7000 collected could be used to fund the cost of the priests. These suggestions led to much outrage without resolution and the churches carried on as before.
It later states that in the late 20th century the longstanding dilemma of the viability of the churches remain and was again addressed. The two churches were amalgamated and The Holy Trinity closed in 1984
To learn more about the Chapel Royals history, you can buy the booklet for a mere £1 from the Chapel Royal, or attend one of their concerts for £3. It was an enjoyable and informative visit!
Incumbent Alan Watts and his Daughter Helen the Suffragette
Written by Angi
Our researcher Angi has been looking into Alan Hunter Watts, incumbent at Holy Trinity from 1917 – 1924; here is a snippet:
Alan Hunter Watts was born in West Hoathly in East Sussex in 1852. His father was Henry Ludby Watts, a teacher of classics, and his mother was Margaret M Watts, nee Hunter.
On 19 August 1880, Alan married Ethelinda Woodrow Cassels at St Alphege Parish Church in Greenwich. He is now a Clerk in Holy Orders. She is a British Citizen, born in Oporto, Portugal. Her father, John Cassels, is described as a Merchant (deceased) and Alan’s father as a Gentleman (deceased).In the Census of 1881, the couple are living in Durham and Alan is the Curate of Bishop Wearmouth Church.
In 1891, Alan is now 39 years old. He and Ethelinda have six children, and he is Vicar of Holy Trinity Church in Dartford, Kent. They live in The Vicarage with two servants, one a nurse and one a cook. In the Census of 1901 the family have moved again. Rev Watts has taken up a new position as Vicar of Holy Trinity Church in Lenton, Nottinghamshire. They live at the Vicarage at 35 Church Street, Lenton, with three further children plus a maid and a cook. One name is missing from the list – a son named Alan Francis Cassels Watts, who may have been away on Census night, or he may have died.
In the Census of 1911, Rev Watts and Ethelinda are still at Lenton, living at Lenton Boscrege. The records show that the couple have 8 children living, one dead. Sadly, they lost another son in 1916. Ronald William Ailsa Watts, born in Kent in 1892, served in the 2nd Bn Worcestershire Regiment and died of wounds aged 23. His name appears on the War Memorial in Lenton Church and he is also mentioned in the Nottingham Roll of Honour.
Alan and Ethelinda’s firstborn child was a girl, whom they named Helen Kirkpatrick Watts, born on 13 July 1881 in Bishop Wearmouth in Sunderland. Although there is no mention of her suffering from any disability on the Census returns, it seems that Helen suffered some hearing loss. Her friend Helen Blaythwayt said of her “She is a nice girl, but difficult to talk with because beside being very deaf herself she speaks so that it is very difficult to understand her.”
However, Helen did not let this hold her back and she grew up to be an important figure in the history of the Women’s Movement. She spoke at many public meetings on socialist and feminist topics. Crawford quotes her as saying ‘’Votes for Women’’ will not be won by drawing room chatter. It has got to be fought for in the market places, and if we don’t fight for it, no-one else will….The open air meeting is a symbol of the principles, the method, and the spirit of the most vigorous movement towards Women’s Suffrage in England today. The Suffragettes have come out of the drawing room, the study and the debating hall, and the committee rooms of Members of Parliament, to appeal to the real, sovereign power of the country –THE PEOPLE.’’
After a meeting held at London,’s Caxton Hall on 24 February 1909 Helen was arrested and taken to Bow Street Police Station where she was charged with wilfully obstructing the police and she was sent to Holloway Prison for a month. This was mentioned in an article in the Nottingham Guardian entitled ‘At it again – A Nottingham Martyr’. She was arrested again after a demonstration in Leicester on 17 September 1909 and sentenced to five days in Leicester Gaol.
After leaving the Women’s Suffrage Political Union Helen joined the Women’s Freedom League. During the Great War she nursed at the Mineral Water Hospital in Bath. She then worked at the War Office and Ministry of Labour before emigrating to Canada, possibly to stay with her sister Ethelinda. (Another sister, Alice M Watts, is described in the 1911 Census as ‘Secretary, Suffragist Society’).
Helen eventually returned to Britain, leaving a trunkful of possessions and papers in Avonmouth Docks for many years. She died in Somerset in August 1972.
Robertson of Brighton
The Reverend Fredrick William Robertson (1816 – 1853) was Perpetual Incumbent of Holy Trinity Chapel, Brighton 1847-1853. “Robertson of Brighton” is well known as a Victorian preacher and his life has already been documented, sometimes controversially, but he is a huge part of the Holy Trinity’s history. Memorials to the preacher are found within the make up of the building, such as our beautiful stained glass windows. In 1902 on the anniversary of Robertson’s death the parish purchased a plaque for the external facade which records Robertson’s 6 year preaching career in the Church. Robertson Hall, the adjoining building on 35 Ship Street, used for Holy Trinity Church purposes, is named after and dedicated to the preacher and his notable career.
Researcher Carole has explored Robertson’s history and his relevance to Holy Trinity and to Brighton. We are not lacking in stories and opinions about Robertson and Carole’s research has delved into Robertson’s early life, religious ideas, his family life, his “affair” and his end. This is a insight into her work:
I began this research by visiting Robertson’s grave in the Extramural Cemetery in Brighton on a damp, misty day: the perfect weather for an excursion into a Victorian melodrama. I approached the cemetery by climbing a narrow flight of steps partially hidden by foliage and covered in moss, emerging on a brow looking down over the sloping curves of the landscape. Ancient gnarled trees and overgrown graves sent a shiver through my body and stirred within me an unexpected feeling of sadness. I made my way down towards where I imagined Robertson’s tomb might be, close to the chapel. The graveyard is in sad disrepair, figures of angels with missing limbs like the Venus de Milo, stone tablets fallen at crooked angles, headless cherubs, crosses caught in the act of collapse, obelisks about to tumble, tombstones reclaimed by creeping ivy, like undiscovered Maya temples. I looked around and realised I was the only visitor on this dank sombre day. I continued down the winding path avoiding puddles and mud. I came upon the tomb and I swear at that moment of discovery, a shaft of sunlight broke through the cover of cloud.
The bas relief carving on the west side of his tomb, now bathed in heavenly light, depicts Robertson surrounded by working men from the Mechanics Institute, each bearing the tools of their trade: a sledgehammer, an anvil, a plane . . .
I left the cemetery by a more conventional route, passing the coroner’s shiny black saloon parked alongside the low, squat brick building of the cemetery office, returning to the present through the iron gates of the Extramural Cemetery and into the confusion and noise of Lewes Road.
I may not strew with earth-born flowers the turf where thou art laid
But flowers there are which Love may rear, and such as cannot fade….
If parted clouds a moment showed the blue depths of thy soul,
’Twas but to prove them far beyond the skies where thunders roll.
Lady Byron, on hearing flowers falling on the coffin of her dearly beloved, departed Fred Robertson, from afar.
Beardsley calls Robertson the ‘Prince of Preachers’. Robertson’s fame in his own time and for years after his death, rests largely on the reputation of his
outstanding sermons which were printed posthumously. They were published and widely read not only in Britain but in North America and other English speaking countries, and in translation as far away as China.
Even at the time, fellow clerics, politicians and artists travelled from far and wide to hear him. A pamphlet written by George Allen in the 19th century (FW Robertson of Brighton, at The Keep), tells how Dean Stanley of Westminster, travelling on a train in France, encountered a ‘rather
unkempt’ individual who it transpired was an American soldier, an army surgeon who had been serving in Algeria and was now on his way to serve in Mexico. To Stanley’s surprise the stranger asked him if he had heard of the sermons of Robertson.
In Brighton at the Holy Trinity Chapel where he preached from 1847 until his death in 1853, Robertson’s charisma and oratory skills were legendary. According to Stopford Brooke, Robertson’s contemporary and biographer, his sermons ‘had all the variety of a great stream, quick, rushing and passionate when his wrath was awakened by evil’
Robertson must have struck an imposing, dramatic figure, ‘walking to church and visiting the sick wearing always a military cape’, and standing at the vase-shaped pulpit, preaching in a black Geneva gown. No ‘flamboyant gestures or mannerisms’; he was renowned rather for the eloquence of his speeches and his almost mesmerising presence. Charles Dickens said to Robertson’s son Charles that ‘he was one of the greatest masters of elocution I ever knew. To hear him read the church service was in itself a liberal education’. The church was always crowded when he preached. (Campbell) ‘His hearers sat spell-bound . . . (in) rapt attention’.
Almost half a century after his death, in an article in the Daily
News printed in 1926, a woman who had heard Robertson’s early sermons said that ‘she could vividly recall his beautifully clear voice, dark-blue eyes, rich brown curly hair, clean-shaven mouth and chin – and (sad anti-climax) mutton-chop whiskers. He had a remarkable way of looking straight at you’. (One wonders if she actually listened to the sermon!)
Others too outside of his congregation were affected by his presence. He once attended a lecture by an ‘Electro-Biologist’ (spiritualist). The lecturer soon exclaimed, ‘I cannot do anything while that gentleman is here!’ Brooke describes Robertson’s appearance and presence effusively: ‘features which were remarkable for their changing play of expression . . . The high and intellectual brow, strongly marked, suggested a thoughtful and an artistic nature; and the blue, deep-set eyes, full of a beautiful pure light, flashing often with a bright and eager lightning of excitement or enquiry, told of the strangely-mingled qualities which lay within – Will, Tenderness, and Courage. The instinctive cheerfulness and sensitiveness of his temperament appeared in a mouth the smile of which was as radiant as its mobile obedience to every change of emotion was wonderful.’
Robertson was a complex person. Brooke notes that ‘even those who believed they knew him well, knew little of the workings of his mind’. And even ‘those who understood him best only understood him by half’. Many inner conflicts troubled him. ‘His outward composure belied some of the inner torment and what he saw as the weakness of his passions.’ He was melancholic, plagued by bouts of depression and agonising headaches, which ran like a dark thread through his life and which signalled his early death.
Remembering Henry George Walthoe
Located immediately to the left of the First World War Memorial plaque commemorating those who served and those who fell from the local area (visit The Boys on the Plaque to hear about that project) is a small brass-plated plaque to a soldier lost in the Second World War.
It is the only wall plaque in the church in memory of a soldier killed in battle in this war. The soldier who is remembered is named Henry George Walthoe.
He was a Lance Corporal of 263 Coy, Royal Engineers, service number 2074173. He fought in the Battle of the Somme and was killed there on 20 May 1940. He was buried in Pont-de-Metz Churchyard in Dept de la Somme in Picardie, France, in Plot 4, Row A, Grave 33. He lies alongside a further twenty soldiers who died in the same skirmish, several of whom were also from Sussex.
Henry George was listed as missing on p172 of the ‘British Army List of Missing to be circulated to POW camps, includes Copy of 1st and 2nd Lists.’
The theatre of war was the France and Belgium Campaign of 1939/40. Henry was mentioned in the UK Army Roll of Honour 1939/40.
Henry George was also part of the Scouts, the 5th Brighton West Group (now 5th Hove), and is listed on an honour roll of Scouts and Scout leaders who died during World War Two.
Henry was the son of George and Nellie Walthoe nee Brown of Brighton. He was born in Brighton in July 1919. George Walthoe was born in Brighton on 22 September 1888 to Henry Walthoe from Weston in Staffordshire. The surname Walthoe seems to derive from this region, often spelt Waltho. Henry was described as a ‘whitesmith’. This refers to a metal worker who specialises in finishing work, particularly using white or light coloured metals such as zinc and tinplate. He was married to Phoebe Rhoda Burfield, known as Rhoda. George had two sisters and a brother and the family lived at 88 Church Street Brighton.
George was awarded a medal card (held by The National Archives, Kew) in the Index of First World War Mercantile Marine Medals.
Nellie Walthoe nee Brown was born in Brighton in 1889 to George and Mary Brown. George was a railway porter. Aged two, Nellie was living with them and her four siblings at 27 Yardley Street Brighton, in the Parish of St Saviour’s. The house is a terraced Victorian bay fronted house, with stone steps leading up to the ground and first floor, and stairs leading down to the ‘area’ or basement level.
In the 1901 Census Nellie is now 12, and the family are still at the same address. 10 years later Nellie is now 22 and working in a restaurant as a waitress. The restaurant was at 107 and 108 Church Street. 109 is the pub ‘The Waggon and Horses’ at the junction of Church Street and Jubilee Street, and 108 was on the opposite corner across Jubilee Street. 107 and 108 were Victorian terraced properties which were demolished in 1972. The large new building which eventually replaced them has also housed a restaurant – until recently it was Carluccio’s.
George Walthoe and Nellie Brown married in Brighton in October 1916. George died in Brighton in January 1921, when he was 32 years old, and his son Henry George was aged less than two years old.
This suggests that the plaque was commissioned by Nellie Walthoe, mother of Henry George. Nellie died in January 1976 in Brighton, aged 87. She does not seem to have remarried or had any further children.
We always welcome more information from our community. If you know something about Henry Walthoe or his family, then do get in touch with firstname.lastname@example.org
The Journey to Deconsecration
In 1984, Holy Trinity Church, closed its doors for the last time as a functioning Place of Worship.
From 1817, when the Church was built, through the height of its popularity around 1830-1850, when it could, and often did, accommodate up to 800 parishioners, to the gradual decline in numbers, from the late 1800’s to 1984, I believe Holy Trinity Church was following the national trend in the general decline in the popularity of organised religion in the UK.
A 1983 newspaper article in the Evening Argus, on 8th August, quoted the Rev. Donald Turner, who was at the time the Deputy Vicar of Brighton, on the reasons for Holy Trinity Church being made redundant.
“No one lives near Holy Trinity,” he said “Holy Trinity is within 100 yards of Chapel Royal in North Street, and the congregation of Holy Trinity consists of less than a dozen people….Elderly”, he added.
Thus, in a few sentences he had encapsulated the reasons for the Churches demise.
There had been various movements from the 1940’s and 1950’s to close the Church, such as in August 1941 the Bishop of Chichester cited the Wartime Emergency Powers Act, but met strong resistance from Holy Trinity Church parishioners.
The national decline in the popularity of organised religion and the consequent decline in the numbers attending churches had come about for various reasons.
In 1851 40% of the UK population identified themselves as regular church attenders, but in 2011 the figure was 2%.
Linda Woodhead, in her British Academy lecture of January 2016, quotes an Analysis of British Social Attitudes Survey, which questioned religious upbringing, revealed that children brought up as Christian, had a 45% chance, by the time they were adults, of being ‘Nones’, (those who identified as having no religion)- whereas those brought up as ‘Nones’, had a 95% chance of retaining that identification into adulthood. As generations develop over time it can be seen that an affiliation to an organised religion will exponentially decline in adults.
Another reason has been the liberalisation of the population over time, and the acceptance of concepts, such as, abortion, contraception, divorce and remarriage after divorce, homosexuality and same sex marriage, having been legalised, in the most part, against the resistance of the Established Church. It follows that the influence and the opinions of Church leaders has diminished as well.
There has been a gradual increase in the wealth of the UK , and an upsurge in the incomes of younger citizens, and a decline in poverty levels.
In Brighton less and less citizens were living near Holy Trinity Church, although they were still working in the city they had taken advantage of the new housing developments in the North, East and West of the city centre, and for those that were practising church-goers, the tendency was to attend Parishes near their homes in the suburbs.
Reverend Fredrick William Robertson’s influence over the years had sustained the Holy Trinity Church (see previous blog post ‘Robertson of Brighton’). There had been many occasions when the financial burdens of the Church were alleviated by an appeal across the world for donations., citing Robertsons’ name and the possible demise of the Church he Ministered in as the reason to give.
The building of Robertson Hall was an example of this, and had it not been for the Income that the renting out of the Hall had generated over the years, then my opinion is that Holy Trinity Church would have closed a lot earlier than it eventually did, and the fabric of the building would have deteriorated to a perhaps unrepairable degree, and perhaps led to its demolition.
Nowadays, Fabrica contemporary art space and the present residents of Brighton are the benefactors of the resilience of previous Church goers, who over time, despite their diminishing numbers, believed in the concept of Community.
Thomas Read Kemp, Creator of Trinity Chapel
Thomas Read Kemp, land developer and politician, was an important figure in the development of Brighton. Kemp commissioned the creation Trinity Chapel (which we now know as Holy Trinity Church) as an independent non-conformist sect and was its first preacher during that time. Our volunteer researcher Sandrine explored his life:
Thomas Read Kemp, son of Thomas Kemp of Lewes Castle and Herstmonceux Park (landowner and Member of Parliament) and of Anne Read of Brookland, was born 23 December 1782 in Lewes.
In 1806, he married Frances Baring, fourth daughter of Sir Francis Baring (Chairman of the East India Company and founder of Barings bank) with whom he had four sons and six daughters. This marriage catapulted him to higher social spheres and it is believed by S. Berry in “Thomas Read Kemp and the shaping of Regency Brighton” Journal of the Georgian Group, XVII, 2009, 125-140, that this probably contributed to his financial problems as he was ‘mixing with people who were far wealthier than him’. His wife died in labour in 1825 and was buried at Saint Nicholas’s church.
He married again in 1832 with Frances Shakerley of Someford with whom he had a son, Frederick, who ended up inheriting his father’s moiety of the manor and the freehold of the Kemp Town enclosures.
In 1811, he inherited some land in the parish of Brighton from his father. However, his total holdings, inclusive of Herstmonceaux, were 2000 acres (which for a landowner of the time was not considered so important); making the land he owed in Brighton all the more financially significant since he did not have any other assets.
It is known that Kemp enjoyed a life of luxury and had an expensive way of living.
T.R Kemp was also known to be charitable and giving, and supported many fundraising events. He also gave and sold land for public needs such as land for the Jewish cemetery in 1825 or land in East Laine for the Social Sussex County Hospital (same year).
His father had been preparing him for the county representation in 1807 – however, he succeeded his father in the local borough of Lewes instead; winning his father’s former seat in 1811 and becoming Member of Parliament for Lewes. In his nomination meeting, he stated being against corruption and in favour of parliamentary reform.
In March 1816, Kemp resigned his seat declaring ‘my domestic habits and present pursuits prevent a continuance of the same exclusive devotion of my time to the public service’. This was to found a nonconformist evangelical sect at St James’s Chapel in Brighton with his brother-in-law Rev. George Baring. The choice had been influenced by his wife. The sect moved a year later to the Trinity Chapel in Ship Street which he commissioned for this purpose.
The Holy Trinity Chapel was the first joint project of Wilds and Wilds in Brighton; built and designed by them in the spring of 1817. Kemp preached there for six years (he was no great orator) however, despite being successful at first and attracting wealthy members, the venture eventually failed, and Kemp returned to the established church by 1823. The Holy Trinity Chapel was sold to the Church of England in 1825.
From 1823 to 1826 he was elected as Member of Parliament for Arundel and from 1826 was re-elected for Lewes where he stayed until April 1837.
The creation of Kemp Town
It is in 1823 that he planned to build a very large development on the cliffs East of Brighton (or Brighton landmark that is now known as Kemp Town) on land which Kemp held as joint lord of the manor. He requested that architect C.A Busby joined A.H Wilds in this grand development. Wilds and Busby designed the façades of Kemp Town which Thomas Cubitt, the builder of most of Belgravia, constructed. The latter was owned money by Kemp and Kemp eventually conveyed £10,000 worth of land to him in order to settle one of his numerous debts.
The grand project was self-contained and included Chichester Terrace, Arundel Terrace, Lewes Crescent, Sussex Square and the surrounding streets. Lewes Crescent with its 800 ft was longer by 200 ft than the Royal Crescent in Bath; and Sussex Square, the biggest crescent in Britain, surpassed Grosvenor Square in London with a diameter of 60 metres.
However, some bad business choices (i.e. the refusal to spread the risks of the development amongst others; the decision to bear all costs such as building work and landscaping; the least profitable decision to get the builders to build the carcases of the houses, and to then sell them to them at a fixed price; the failure to appoint professionals to manage his schemes and to supervise the sales of plots), added to some misfortune (i.e. C.A Busby moving on to design Brunswick Town, entering in direct competition with Kemp Town and being commercially more successful because of its location; Brighton going through a period of recession with houses and land no longer in demand; the number of Brighton inhabitants plummeting) turned this project into yet another high-risk and non-profitable venture for Kemp.
Kemp was offering the houses for completion on a 99-year lease with an annual ground rent of £150 and the option to purchase the freehold for £2500 after 10 years.
However, many of the houses remained only façades as they failed to sell. This, to the point of being described ‘as desolate as Pompeii after its two thousand years’ burial’ by a visitor. Only 105 out of the planned 250 were ever completed.
Kemp was forced to borrow £28,000 from the Barings (ie. his family in-law). By October 1826, Kemp had advanced £51,179 on the houses and esplanade but was owed more than £15,800 and by 1827 was still left with a high number of unsold shells of houses.
By 1828, he was still left with 47 houses and by 1830, Kemp Town still looked unfinished. This was also negatively impacting on the area, and other projects in the neighbouring area also ended up in failure due to a general lack of interest.
The houses did not start selling until well after 1830 and by then Kemp had been forced to sell many of them incomplete and without profits. By 1834, only 36 of the 105 houses were inhabited and the grand development project was turning into a monstrous debt spiral that would eventually swallow him.
T.R Kemp died on 20 December 1844 in 64 Faubourg Saint-Honoré in Paris and is buried in the Père Lachaise cemetery. Some mention a heart attack, others suicide. Whilst it has not been possible to verify this information, his death is described as sudden. His tomb is unfortunately not part of the many included in the cemetery guide and is therefore a challenge to find. His widow moved back to England. She later died in Tunbridge Wells.
The extent of Kemp’s debt kept unravelling even until after his death. In 1847, his sister, Mrs Sober, was forced to recover the rights to her house, which Kemp had mortgaged without her knowing.
T.R Kemp is undoubtedly one of the greatest Brightonian characters as he forged the city’s layout and architectural character. His lack of knowledge in building speculation coupled with, perhaps, a poor business acumen, moved him towards indebtedness.
His name remains however all over Brighton and the city remembers him: there is a tablet for him at St Nicholas’s Church, a plaque with his name on 22 Sussex Square, a No. 7 bus is named after him and the Thomas Kemp pub.